Tag Archives: bespoke interiors

Some thoughts on “How to spend it”: quality, Made in Italy, bespoke and… a modest proposal.

How to spend it - Sole24Ore

There’s new magazine of the Il Sole 24ore Editorial Group, in Italy: “How to spend it”.

This use of the English language in the name  in an Italian magazine sounded me strange to me at first…

Then I understood: it’s a magazine created in Italy, together with The Financial Times, which has been distributing it for 20 years in UK.

Some questions arose spontaneously.

The first one: spending what? Time or money?

Flipping through the pages, I think i got the answer: it’s for people who have a lot of both… good for them! :-)

Second question: do we really need such a format, in these hard times where recession of domestic consumption seems so  overwhelming?

Maybe yes, because – as I quickly found out – the magazine promotes widely both Made in Italy brands and the Made in Italy approach to goods and lifestyle.

Speaking of Made in Italy heroes, in a few minutes I ran into a pearl of wisdom that made me forget all my thoughts.

The following quote appeared to me like a message: something to be shared and discussed, with a strong tie to the times we’re living.

A concept appealing to all: entrepreneurs, common people, young generations.
A message regarding our future.

Here’s what Maurizio Marinella, of the historic company of ties and accessories based in Naples, told journalist Roberto Napoletano, in his “Passaporto Italiano” column:

“The message I got from the ones who came before me is departing from Naples, but never leave Naples. Depart from Naples and stay here in Naples”.

Maurizio Marinella - Ermes Ponti blog

(Thank you Mr. Marinella for your inspiration, I wish I could meet you one day).

In my personal opinion, this is exactly what we have to do!

And we of Ermesponti do it. Actually, we do it every single day.

We depart from Italy, continuously (last trip Germany, but also Asia, New York, UKall over the world, we go where someone asks for an end-to-end solution to an interiors problem), but never leave Italy.

We work worldwide from here. 

We design and produce bespoke interiors assuming control of the whole process, from starting idea to turnkey delivery for clients and locations all over the world.

Every time we bring with us the values of the Italian culture and the Italian lifestyle.

This reminds me of another Sole 24 ore editorial content I always follow: the radio program “La Fuga dei Talenti” (Talents’ escape) regarding Italian youngsters going abroad to build their carreers.

In this regard, what I’d like to suggest to Mr. Napoletano – radio24 director – is to focus on a positive attitude, which is still possibile, if we change point of view.

Young people need reasons to stay or come back to Italy, not only to escape from our country!

Let’s all give them new, positive examples! Shouldn’t we try to follow Barbara Santoro’s inspiring example?

Our country still is able to produce high levels of excellence, in alla regards.

As fare as we are concerned, we think that there is a high demand of the highest level of luxury: the perfect customization.

A home fitting you perfectly, like a bespoke suit, exclusively designed for you can really improve your lifestyle and makes you feel better.

Living immersed in beauty and harmony, in a space that represents you perfectly, can really change life from hell to heaven!

In brief, we believe the revolution of the “designed for” instead of the “design-by” it’s coming soon and we are proud to be part of it.

And here’s the modest proposal I’d like to share with Il Sole 24 Ore’s manager Mrs. Nicoletta Polla-Mattiot:

The right header for the Italian edition of this prestigious English magazine must be different from the English one: How to spend it, better!

So, dear Mrs. Nicoletta Polla-Mattiot, when can we expect the new “bespoke issue”?

From Design to Architecture; from “Design by” to “Designed for”.

Both industrial design and interior architecture are undertaken to furnish a space. But they do it in different ways. Let’s have some examples.
design awards 2014
In the first case, the client who is going to furnish his house using industrial design products can do it by himself. Sometimes he could need the help of an interior decorator. They will choose together a certain brand, they will leaf through the pages of beautiful catalogs and make their own selection of a certain number of pieces of furniture. They will fill each room of the house with industrial products they need and sometimes they  will overfill it with a lots of beautiful stuff they don’t need at all. Everything will be in fashion in the new house, but not for a long time. They will pay a certain amount of money, but they will never know the real cost of production of each piece of furniture. It doesn’t matter if the furniture is from Ikea or one of the best Italian brands, the way is really the same. The production, distribution and marketing processes are similar.
This client is choosing a product “design by” someone. Sometimes the designer is a big name or sometimes the brand name is more famous. Often both of them are very popular. And they are the main reason for the customer’s choice. The customer feels confident buying something well-known worldwide. Especially a customer who is looking to keep up with the Jones’s. In new markets this kind of situation  is very common and that’s why fashion or design brands have great success.
In the second case, the client is looking for something completely different from the brands. Often he is not brand orientated.  For example, he could be searching for eco sustainable production, fair trade or just “Made in Italy”.  He can also be interested in crystal clear distribution and he is very careful about the real value he brings home. He doesn’t want merely to fill his house, but, first and foremost, he has a specific plan for it. He wants a site-specific project for his house; something “designed for” him and no one  else.
john pawson
Of course he is not able to do it by himself. “It takes a hatter to make a hat”, they say. Especially a first class hat. A bespoke suit made in Savile Row could be the best way to express his own personality.  A bespoke interior might be the best investment for a comfortable daily life as well. The hatter or the tailor in this case should be an architect, but not an ordinary architect. The client needs  to build a good relationship with an architect. A close affinity is necessary. He will express his needs and also sometimes his dreams for his home. He  wants an architect able to translate furniture and interiors in architectural form. Something “designed for” him is more than a comfortable, bespoke suit worn once or twice a year!
In the end, the two clients have similar results  and spend almost the same amount of money. There is no significant difference between a house totally decorated with top-brand furniture and another house furnished with custom-designed furniture. The key point is not a question of money. The average person spends or invests what is affordable.
Actually, it is only a question of taste and education. People are ready to spend only on what they really care about. If they are interested in a sense of modern beauty they will feel in fashion when buying what design brands are offering. But, if they are looking for their own specific expression of beauty, personality and well being, they will ask for an interior that is not just the fashion, but custom designed for them.
poddaponti dining 
As architects we feel our mission is designing and making timeless interiors in an end-to-end process. We can guarantee top-quality materials and pleasing contemporary design. At the same time- we can keep a watchful eye on  the client’s budget and schedule.
We believe architectural interiors should be done in this way. Everything is bespoke at ermesponti. This is our core-business; give us a try!

The Legacy of Steve Jobs.

 

 stevejobs

He was brilliant. He had his own style. He had his own approach,” Gates said. “Mine is, I guess…a little geekier than his was”.

 

While Bill Gates admits to being less cool than Steve Jobs, Jobs made ​​a more profound distinction. He recognized in Bill a “businessman” who “has excelled on the financial side of things.” Steve instead saw things differently, though, saying that for him: “The motivation was in the products, not the profits.”

My passion has been to build an enduring company where people were motivated to make great products.” This was Job’s creed. His goal was the excellence of a product that would meet the needs of the people, even before they expressed that need; “ Our job is to figure out what they‘re going to want before they do.”

The last few pages of Steve Jobs’ famous biography sum up to perfection his identity and his legacy. Reading and rereading these pages I note the deep affinity between our tiny company, ermesponti, and the giant, Apple: from the mission to create quality products to the lack of interest in profit, combined with an almost Socratic problem-solving attitude towards customer’s needs.

But the thing that strikes me most is the similarity of approach; Jobs called it the ‘end-to-end process’. It was the integrated control of hardware, software and content in a single system that allowed Apple to reach product perfection, intuitive use, beauty of design and, finally, device synchronization.

This is what we have been seeking to do at ermesponti for years, by combining architectural design with good site management and high quality artisanal production and by focusing on the specific needs of the customer and solving their problems in terms of space, time and cost.

It is the economic crisis itself that demands it. The logic of interior design and traditional contract jobs are no longer applicable; there are too many players, over-fragmented processes, unbridgeable gaps between aesthetic, technical and practical demands; long waits, inefficiency, errors and costs that are disproportionate to the results. Excellence and simplicity come at a price; not only lean production but especially an integrated, uninterrupted process which ensures quality and customization optimization along with time-cost factor containment.

The comparison is daring, we know, yet even Jobs seems to confirm it when he refers to Michelangelo and Leonardo da Vinci as authoritative examples of seamless integration between the humanities and science, art and technology. Do these two worlds not meet here today in the workshop of a contemporary carpenter-architect such as Paolo Ponti, or in the Apple product development labs? Richard Sennett in The Craftsman teaches us that the term ‘artisan’ should be newly defined to involve everything that man thinks and produces directly; from ice cream to furniture and products of the new technologies. Then ‘the end-to-end process’ could be a starting point for defining our new identity as regards future challenges; not just for a specific industry but for all those areas where the process requires a new organizational structure, including, for example, the current need for market competitiveness.

For us at ermesponti the end-to-end process is Steve Jobs’ greatest legacy and what links us most closely to him. A seamless process from the first ideas for the design to the finished product, guaranteed and highly personalized. A key-in-hand service that unites the design phase with the executive one (head and hand, as Michelangelo or even Richard Sennett might say) ensures an optimum result and a highly competitive time/cost ratio. Don’t believe us? Take a look at our case histories