New interiors for your home or your retail business? In case you have doubts, here are our solutions.

We’ve been in business a long time, and our professional experience has taught us the questions that come to our customers’ minds when approaching an interiors project.

The following are some of the most common questions we have encountered in all these years.

Customers wander about some crucial questions and sometimes they are not very sure about where they can find the right answers. Or even if any answer is actually available at all on the global market of interior design, today.
Well, given the questions, we’d like to try to give the ermesponti answers…
Consider them the ermesponti manual to your interiors needs!
1.

“How can I get a project for a special, cosy home, conceived and designed just for myself?”

Schermata 11-2456968 alle 21.34.00

Ermesponti is a special place where architects and craftsmen work together for you.

We can really make your home reflect your personality. We made your own home as your best portrait: unique like you.

2.
“Where are the highly skilled craftsmen I need to take care of my interiors project?”

Schermata 11-2456968 alle 21.32.22Your specific needs are, indeed, the only project you need.

Let the Project Masters interpret them (beware of designers uncapable of listening).

3.
“Where are the highly skilled craftsmen I need to take care of my interiors project?”

Schermata 11-2456968 alle 21.34.40We can fit the bill.

And we do it by constantly working together – Architects, designers and artisans – as in a Renaissance Shop, in a continuous exchange of knowledge, experience, practice…

From the vision to the crafting: this is how ermesponti approaches projects.

4.
“I need an architect and an artisan for my furniture… how can I spot such a team and have them working together for me?”

Schermata 11-2456968 alle 21.43.21We are both.  And work together for you.

Ermesponti provides a complete and full service: from the very first sketch to the final setup.

No multiple figures to talk to, stop the contractors crazy, long and overpriced game.

One shop + one person in charge + one job = result.

5.
“I wonder how can I get a complete and full service for my bespoke interior.”

Schermata 11-2456968 alle 21.46.19We work from the very first idea to the final installation.

For ermesponti the essential conditions to start a custom project are clients’ requirements and building’s restrictions.

That’s all we need to deliver a very personal project and a 100% bespoke solution.

6.
“Time and cost are essential to my interiors project: how can I make sure they’re taken into the right consideration?”

Schermata 11-2456968 alle 21.45.41Tight deadlines and well-defined budgets?

They are our priority, too.

They are the starting point for a real custom project; both custom-time and custom-cost.

7.
“I love the high quality interiors of some yatchs .. I would like to have the same custom details in own home too…how can I get it?”

Schermata 11-2456968 alle 21.45.58We can manage all of these: yachts, houses, shops.

We love cross fertilization. At top levels.

Let’s do up your spaces! We love to do it together with you; we promise it will be one of the most significant experiences of you life. Creating from a white sheet of paper the new shapes and materials for your new customized interior!
.
8.

“My interiors should reflect my life… that’s why I want to change it, now, I’m in for something new! Who can interpret my mood?”

Schermata 11-2456968 alle 21.50.07You’ll be amazed at how radical and powerful a change of interiors can be!

Change your world… your interior world, and make it absolutely, unmistakably yours.

Forget the “design-by” approach  and try the “designed-for” approach to life!

9.
“I’ve had enough of overpriced luxuries of Brands design. Where can I turn to in order to have proper quality at proper price?”

Schermata 11-2456968 alle 21.51.31We design and produce excellent quality at a fair price, and we do it just for you.

No one else in the world will have your solution.


10.
“I dream of a high-end (but normally priced) renovation, with handmade 
work and exquisite Italian taste and touch … where are the specialists for such a interior?”

Schermata 11-2456968 alle 21.51.02We are the one-stop shop for you.

We work directly from our Mantua premises for the whole world and all kind of brand and personal projects.


In short?

If you want to change the whole world, well, that’s hard stuff.

But if you want to change your own world- the space where you live and work – with ermesponti you can. And, believe us, the standard of your own life will change with it. Nothing compares to dwell in a bespoke interior where everything is according to your style and expresses you own personality.

Contact us: we’re sure you won’t settle for anything less than your bespoke, handmade, Italian interiors!

 

The Chancellor’s Bungalow at the Venice Architecture Biennale 2014. The eye-catching door is 320 cm high and covered with continuous veneer.

5- paolo che fa rilievo a BOnn
Dealing with the Kanzlerbungalow, which was conceived, designed and built in 1964, meant a healthy re-immersion in the architectural culture that shaped us.
It was a breath of fresh air, compared to the contemporary scene, in which architectural interiors are relegated to blank spaces to be filled with this or that brand of design furniture.
This architecture, designed and purpose-built for the German Chancellor fifty years ago, is still a significant example for us.
It reminds us that furniture in architecture is never ‘just furniture’- it blends with the building, thereby taking it beyond the usual construction industry.
2-porta
There are no better words to describe the value of all this than those of Paolo Ponti, the architect who carried out a rigorous survey of the original and rebuilt it with archaeological precision, along with his craftsmen from ermesponti:
“The beauty of the Bungalow furniture lies in its simplicity: it is clean and basic, but it does conceive a sense of being valuable, but is well constructed.
It matches perfectly with the prestige of the house it is supposed to be in.
There is this feeling of excellence and style, coming from details and proportions.
The door of Chancellor’s office is 320 cm high with a rigorous selection of veneer.
The shape is simple but the beauty is great. There’s such a majesty about it and the amazing feeling you get when you handle it. What a sound it makes when you’re about to open it…
So great, it reminds you of a bank vault.
Then, when you close it, it produces a unique sound. At that point you feel all the quality and the  precision. At that moment, it all turns into pure beauty.
From the inside, it’s fully integrated in the panelling with not a cable shield or mark in sight. And the wood grain continues perfectly, with no interruption at all.
It’s wonderful in its simplicity.: it tells you the deep beauty of things simply and yet in very sophisticated way.
That’s what we liked and what we learned from this wonderful example of handicraft. You have the pure beauty of a simple shape, coming from apparently minor details, but the effect is very sophisticated.
These features turn a door into a unique, extraordinary object that is timeless and beyond trends”.
1-studio ancelliereJPG
All this reminds us how design and architectural results at this level are always based on simple and distinctive features.
This idea is something that has been faithfully fullfilled at the Venice Architecture Biennale.
The presence  of  Project Masters has been fully used to execute  a perfectly defined plan.
We will always remember this setting and try to put it into practice every day with our little revolution using our end to end process.
4-riproduzione a venezia
Although we are no longer in 1964 and we don’t work for the German Chancellor, for us every customer – even the average family renovating their home – is entitled to this service.
Ours is an  approach that brings in the value of a unique, personal, bespoke project that is not higher in price than the one provided by standard solutions from so-called “luxury” brands.

Some thoughts on “How to spend it”: quality, Made in Italy, bespoke and… a modest proposal.

How to spend it - Sole24Ore

There’s new magazine of the Il Sole 24ore Editorial Group, in Italy: “How to spend it”.

This use of the English language in the name  in an Italian magazine sounded me strange to me at first…

Then I understood: it’s a magazine created in Italy, together with The Financial Times, which has been distributing it for 20 years in UK.

Some questions arose spontaneously.

The first one: spending what? Time or money?

Flipping through the pages, I think i got the answer: it’s for people who have a lot of both… good for them! :-)

Second question: do we really need such a format, in these hard times where recession of domestic consumption seems so  overwhelming?

Maybe yes, because – as I quickly found out – the magazine promotes widely both Made in Italy brands and the Made in Italy approach to goods and lifestyle.

Speaking of Made in Italy heroes, in a few minutes I ran into a pearl of wisdom that made me forget all my thoughts.

The following quote appeared to me like a message: something to be shared and discussed, with a strong tie to the times we’re living.

A concept appealing to all: entrepreneurs, common people, young generations.
A message regarding our future.

Here’s what Maurizio Marinella, of the historic company of ties and accessories based in Naples, told journalist Roberto Napoletano, in his “Passaporto Italiano” column:

“The message I got from the ones who came before me is departing from Naples, but never leave Naples. Depart from Naples and stay here in Naples”.

Maurizio Marinella - Ermes Ponti blog

(Thank you Mr. Marinella for your inspiration, I wish I could meet you one day).

In my personal opinion, this is exactly what we have to do!

And we of Ermesponti do it. Actually, we do it every single day.

We depart from Italy, continuously (last trip Germany, but also Asia, New York, UKall over the world, we go where someone asks for an end-to-end solution to an interiors problem), but never leave Italy.

We work worldwide from here. 

We design and produce bespoke interiors assuming control of the whole process, from starting idea to turnkey delivery for clients and locations all over the world.

Every time we bring with us the values of the Italian culture and the Italian lifestyle.

This reminds me of another Sole 24 ore editorial content I always follow: the radio program “La Fuga dei Talenti” (Talents’ escape) regarding Italian youngsters going abroad to build their carreers.

In this regard, what I’d like to suggest to Mr. Napoletano – radio24 director – is to focus on a positive attitude, which is still possibile, if we change point of view.

Young people need reasons to stay or come back to Italy, not only to escape from our country!

Let’s all give them new, positive examples! Shouldn’t we try to follow Barbara Santoro’s inspiring example?

Our country still is able to produce high levels of excellence, in alla regards.

As fare as we are concerned, we think that there is a high demand of the highest level of luxury: the perfect customization.

A home fitting you perfectly, like a bespoke suit, exclusively designed for you can really improve your lifestyle and makes you feel better.

Living immersed in beauty and harmony, in a space that represents you perfectly, can really change life from hell to heaven!

In brief, we believe the revolution of the “designed for” instead of the “design-by” it’s coming soon and we are proud to be part of it.

And here’s the modest proposal I’d like to share with Il Sole 24 Ore’s manager Mrs. Nicoletta Polla-Mattiot:

The right header for the Italian edition of this prestigious English magazine must be different from the English one: How to spend it, better!

So, dear Mrs. Nicoletta Polla-Mattiot, when can we expect the new “bespoke issue”?

Interiors project for a German luxury brand? Won with a handmade prototype. A true story.

This is a true story and – most important – a good one.

A story where Italian craftsmen’s skills prove to be ahead of any competition when it comes down to bespoke interiors.

Here’s what happened.

One day, from our office in Mantua, we call the headquarters of one of the top worldwide luxury brands, based in Germany.

We  offer  our services as a bespoke interior company that is able to design and manage the whole process.

Surprisingly enough they’re interested! We quickly arrange a meeting in Hamburg.

Once in their offices, it takes us no longer than half an hour to explain to them why the ermesponti method in bespoke interiors is much more cost-efficient than any other.

We still keep the quality bar at the highest possible level, thanks to the Italian Master Artisans working with us. We emphasize, in particular, how our approach involves all stages of the project:

  • listening to client’s needs
  • on-site survey
  • overall cost estimate, including 100% end-to-end solutions, from first idea to turnkey delivery
  • executive plan and drawings
  • on-site building work (no outside contractors involved)
  • designing and making bespoke furniture
  • on-site fitting
  • on-site fine tuning

All of these are under one single supervision, ours ;-)

From then on, it’s no longer a matter of words and meetings!

We get down to the real stuff, and next time we meet we bring with us a handmade prototype table just for them – personally crafted by our beloved carpenter Daniele Compagnoni – with improved integrated led lighting, and a general quality that is just above their very high standards.

They are so impressed with the loving care of the prototype table that shows every aspect and feature. They decide that ermesponti is the right partner for the retail interiors they need in Europe.

MBLshowcase

Why do they choose ermesponti, over the long list of German companies they have been working with until then? The reason is simple.

A small but highly specialized Italian company like ermesponti –  is able to work according to the highest artisan standards and follow a detailed design project.

The firm has no rivals in Germany or elsewhere.

There is attention to detail, knowledge of materials and mastery of working processes.

All these  are added to tipycal Italian taste.

This is how ermesponti wins an International assignment for a top quality retail interior… making the client fall in love with a prototype table!MBL showcase detail

Three questions to Francesco Morace, co-author of “Italian Factor”

Francesco Morace

We’ve been following for a while now, with attention and participation the important work of the sociologist Francesco Morace, of whom we have already spoken on several occasions.

A particularly interesting event has been the presentation of his last book, co-written with Barbara Santoro, “Italian Factor” at the Chamber of Deputies in Rome in July.

Having been there with the authors, we’ve had the chance to ask some questions both to Barbara (interview here) and to Professor Morace.

With him, we started out recalling the experience with the cultural project “The Renaissance Link”.

ermes ponti – The Renaissance Link and Italian Factor: two parts of the same cultural path?

As you know, we keep track of all your steps…

Francesco Morace – Even before Renaissance Link, my cultural path about Italy has started with two books: Italian Ways in 2003 and Il senso dell’Italia in 2008, in which you can find  the foundations of an Italian Renaissance, starting from the lack of awareness of our uniqueness.

With Renaissance Link, we created an Association able to deal  with such issues, by creating awareness in companies and institutions.

After 4 years, 50 presentations in Italy and 3 books (Verità e Bellezza, Talento dell’Impresa and Impresa del Talento), we thought that the aim of raising public awareness had been reached and we decided to dissolve the Association, and set each one of us free to continue with its mission individually.

This is also one of the reasons I accepted with enthusiasm Barbara’s proposal about the book to write together.

ermes ponti – You rightly report, in your speeches, examples of excellence.

A tip for all the Small Businesses operating in the market average, without peaks of excellence, but without ever betraying the “good trade”?

We believe that, among the 120,000 factories that shut down in Italy recently, there were some quite valuable, even if not outstanding… what do you think?
italian factor
Francesco Morace – In this regard, let me mention an article in which I try to clarify the difference between Luxury and Excellence: the “good trade” is part of the culture of excellence but it’s just not enough in difficult times such are these we live in.

To this, we must add the fact that Italian tradition hasn’t innovated enough. 

The vast majority of the 120,00 businesses that have closed were, unfortunately, not equipped in this dimension.

ermes ponti – Politics in business: easy relationship, as we all know…

Where would you start to establish a dialogue with value?

Francesco Morace – I believe that politics is always a reflection of a country and its vices/virtues.

We are the ones who choose the political class, that way the change will have to be deep, and arrive even in the foundations of being Italian.

However, it seems that the new political season that Renzi and the PD have launched will bring positive developments.

We need to bring along a new awareness and collective responsibility, a new focus on the common good and to the possibility of a happy growth.

This is exactly the focus of my new book, which will be published with Egea in January 2015, called “Crescita felice. Per una economia civile”.

How would you design the interior of a house? Materials? Furniture? Design? No, sir: talking to who’s supposed to live there.

New York Interiors by Ermes Ponti

Whoever works in the interior designer industry, like us, can choose different approached to a new project.

She can choose to go the famous-design-object way.

She can choose to design and manufacture bespoke furniture.

Or else, all this can be left aside, to sit down and talk.

Talk and understand. Not only the residents’ needs, but also their taste.

Look around. Try to get the feeling.

Find the aesthetic and functional solutions for that specific person.

It may seem trivial, but almost everythng we see around is designed and manufactured with different criteria, often standard.

Something taking no account of the people who actually will leave in that space.

Take for example the house of an American writer, on 5th Avenue in New York, a project carried out thanks to the network Design-Apart of which we are partner (the project of “living showroom” head office of D-A on the 23rd is our work too – case history here).

It’s a flat with significantly particular tastes – far from our own, to be honest – but by no means despicable, of course.

Bright colours, ethnic flavor, different materials: many objects from all over the world, mixed together, for an environment with a defined personality, expression of the eclectic tastes of the hostess.

The project was born spontaneously as a reinterpretation of her own tastes, of pre-existing structures and its contenitive and functional requirements.

We have selected for her just a few samples, the ones you see in the picture:

Sample 1: a rare sycamore frisè shellac lacquered (natural gloss finish) with an hot orange-red colour, with an almost exotic flavor, suited to her ethnic taste

Sample 2: a very light – almost iridescent- sycamore grooved (flute), reminiscence of the Parisian decorations of the thirties of our colleague J-E. Rulhmann.

Sample 3: stone gray Sahara (on the top) suggested by the colour of the kitchen’s floor

New York Interiors by Ermes Ponti

The writer was thrilled to recognize herself in the choice of her designers, who came from Italy to propose her a kitchen retrieving the design of her beloved column.

She appreciated the selection of mixed colours and materials so consistent with her tastes and with the essences, materials and objects of art of her apartment.

Now she can say to have an apartment unique in the world; her best portrait! Finally!

NY Residential interiors by ermes ponti

Sounds easy enough, right?

Not so, appearently.

Each time is a surprise for us to find that very, very few work truly consider the real needs and tastes of customers.

A method that – if applied by the principle, from the beginning of the project – combines the advantage of a “tailored” job to the pleasure of a unique solution in the world, even for a house of two rooms.

New York Interiors by Ermes Ponti

[Photo gallery + video] The new Corneliani’s extension in via Montenapoleone, Milan

How did you spent your summer holidays? Seaside or mountains? We chose Milan, Via Montenapoleone. We only had month to do all the site works – furnishings included – for the opening of the new additional wing of the Corneliani’s boutique in Milan fashion high street (btw, the PoddaPontiArchitetti Studio mentioned on Corneliani’s website is… us: an architect firm within a handicraft workshop). 1-foto iniziale During the last week of July we gradually removed the fittings and demolished the wall to open and enlarge the ground floor space on the right side of the entrance. We did a thorough survey and started the furniture production. In the meanwhile, we organized the works on site from floor to ceilings, from lighting to plants. On August 22nd everything was ready to start the installation of our furnishing.

You’d never guess how difficult it can be to work together – bricklayers, plumbers, electricians and carpenters – in such a small room… But as we accepted the project, we knew perfectly how things should have been done.

panoramica alberto scala Despite all the problems of the site – including the problematic height of the stairs – we  were finally able to fit everything in a perfect way. All the cables behind the wall panelings, the air conditioning diffusers perfectly aligned with the ceilings and the furniture, impressive handmade wooden details on the new brand wall… dettaglio

Have you seen the brand wall, do you recognize it ? We designed this pattern for the first time for the facade of the Corneliani flagship in Shanghai reinventing it from the famous Mantegna‘s fresco of the “Camera degli Sposi” at Palazzo Ducale in Mantua.

After that, Corneliani decided to use it in his next winter collection and soon it became the new Corneliani brand pattern, also for the strong bond with the cultural heritage of Mantua, where the company is located. In Milan, you can find the brand wall in front of the entrance doors. It is built by backlit ebony circles and iron bracelets fixed on a chessboard of leather panels decorated by special drawstrings sewed on its backside (produced by our friend Berto Salotti in record time for us!). Please take a look at the impressive details of the ebony frame junction: we must thank our master carpenter Alberto for making them with such a loving care! brand wall The opening day was scheduled for the first week of September, but we were ready almost a week ahead! The Corneliani Creative Director – Mr. Sergio Corneliani in person – opened the doors of his renovated Montenapoleone store on Monday September 1st and, while doing so, was perfectly aware about the key figure to credit for such a perfect job: his trustworthy architect Paolo Ponti! foto finale

[Video] Three questions to Barbara Santoro, co-author of “Italian Factor”

Barbara SantoroWe had the pleasure of meeting Barbara Santoro a few weeks ago in Rome, at the presentation of the book co-authored with Francesco Morace, “Italian Factor – How to multiply the value of a country”.

While we have been following, with great interest, the work of Francesco Morace for many years, meeting Barbara Santoro was a revelation and a pleasure both for her entrepreneurial passion and  her talent for communication.

We asked her to answer a few questions for our blog.

ermes ponti – I understand that the book Italian Factor, co-authored with Francesco Morace, was your idea, “ a sudden intuition” as you put it.  Can you tell us what inspired you?

Barbara Santoro – – Like all apparently “sudden” intuitions this too was the fruit of a complex series of different events, personal and professional experiences and reflections.

The most significant of these goes way back to when I was seven, when my family and I emigrated to Canada.

The moment the Leonardo Da Vinci  left the port of Genoa, I became profoundly aware of being Italian, and when I finally set foot in Vancouver, I understood what it meant to be a foreigner.

The first few years were tough; I learned the language quickly enough, but there were more profound issues:  back then, being Italian was seen with diffidence and prejudice.

In the span of only a few years however, thanks to the talent, the courage and the entrepreneurial spirit of my fellow Italians, everything changed:  being Italian became something to be proud of and everything that was Italian, tasty, tasteful and masterfully crafted became extremely desirable.

I came  back to Italy many  years ago, and in my work with Italian businesspeople,  managers and professionals in every field, on the development of their international communication skills , I realized  just how precious my intercultural experience had been.  Because I learned, without a doubt, that each one of us, besides our individual talent, education and determination, can count on the added value of a brand which is universally recognized and positioned as the third most important in the world:  Made in Italy.

Because  the sheer fact that WE are Made in Italy means we can count on an extraordinary competitive advantage.

The question is: how can we leverage this heritage?

A year ago, or so, I was working with an entrepreneur who in a few days was going to have to take part in an international press conference, in Brazil, in English, for the inauguration of his project.

He was in a state of panic not because his English wasn’t adequate but because he didn’t know how to describe what he did in a few, effective words.  When I asked him the question he said: “it’ll take at least a couple of days”.

After a torrent of words I understood that his company “italianizes” huge construction projects in the world.  Simply put, they complete office buildings, hospitals, shopping centers, and hotels with finishings, flooring, fixtures, furnishings and art, strictly Made in Italy.  The result is, that without incrementing expenditures, and  staying within the original budget,  market value  and sales are increased by 30%.

The challenge was: how to tell the story not just effectively but with marketing flair?  How to condense genius, beauty, artistry, innovation, tradition, culture and the know-how of a family, a business a regional territory and a country?

I suddenly realized that the sum total of all these typically Italian attributes constituted in fact a business development “factor”, a multiplier of value, that could be expressed in three words:  The Italian Factor!

italian factorep – Let’s start from “The missing ingredient”… you mentioned it in your presentation  at the Chamber of Deputies in Rome.  What do you think it is?  And what is the recipe?  And finally, who do you think can benefit the most from it?

BS – Every company is unique; the specific ingredients may vary, but the recipe is the same in every case:

For every company or value offering we need to

1) recognize the value and uniqueness of what we have to offer (The Italian Factor);

2) acquire with humility and determination that which know and aknowledge is missing or weak;

3) study, study, and keep studying  the market, the competition, the trends and the best practices of the major players;

4) enter the International arena armed with the most appropriate and effective marketing and communication tools possible.

We  must use the language and the tools of communication (brand identity, country of origin heritage, narrative and storytelling) and marketing (relations-based and  cultural)  using the media channels appropriately: web-based, social and interpersonal.

In my experience with Italian companies, the “missing ingredient”  lies almost always in the ability to communicate and promote the unique value proposition with confidence, and absolute effectiveness not only in Italian but most importantly in English, the language of International marketing.

This, I believe is one of the most important ingredients, which combined with the distinctive qualities summarized in the “Italian Factor”, can give the necessary propulsive energy to people, enterprises and to our Italian economy.

ep  – You repeatedly stressed the importance of self-branding as essential for Italian companies:  where would you begin?  And which, would you say, are some of the best practices to emulate?

BS– I stress the point because the talent and creative originality of our “cultural heritage” is uniquely ours; it cannot be acquired or imitated, whereas the techniques and strategies of International marketing and communication can and must be learned.

To underestimate the importance of this often means handing over, on a silver platter, our brands and our excellence to foreign groups who know how to leverage, enhance and promote our distinctive quality characteristics  and cultural value summarized in “The Italian Factor”.

Best practices?

There are many among the brands which are fortunately still Italian-owned:  Prada, Tod’s, Cucinelli, Ferragamo, to name just a few.

But among those acquired and repositioned by International groups we have historic brands such as Poltrona Frau, Gucci, Fendi, Bottega Veneta, Cova and Acqua di Parma.

The list is long, painful to read,  and it cries out for serious reflection.

There may be any number of negative factors which can critically affect the life of a business: from inter-generational transition to the hair-raising evolution of new technologies, to the sudden challenges of socio-demographic changes and the threats of International competition from emerging markets.

But the same factors, if faced with entrepreneurial passion, creativity , courage and the drive to affirm the quality of our work, can profoundly modify the destiny not only of a single company but of an entire country.

We thank Barbara for kindly sharing with us her personal experience, her observations and her vision.

And now, a brief video excerpt from the “Italian Factor” presentation in Rome.

“God is in details”… maybe even in the details of the work of our artisans

Listening to the sayings, many things are hidden into details.

We are talking about the more or less common proverbs “the devil is in details” (of uncertain origin, it seems the favourite motto for a pop musician), “God is in details” (attributed to Mies Van der Rohe, but also Gustave Flaubert and Michealangelo), “difference is in details”, “beauty is in details” and so on.

In Ermes Ponti, what we put in details is certainly a remarkable amount of effort and attention.

We are real maniacs for details as we believe that the beauty and the validity of the whole – of an environment as of an object – is the sum of many harmonic perfect details.

Some examples?

The panel below is a “martyr” panel, used to hold another panel which has to be shaped by the numerical control machine.

The “P” is then coated in clear micro fiber and matched to form the accessory that holds belts in a men’s fashion boutique.

Ermes Ponti bespoke interiors

ermes ponti retail design

Another one: this wall paneling with stylish frames in burnished brass will frame mirrors leather-covered… because Ermes Ponti not only works with wood, but also with high quality leather!

ermes-ponti-bespoke-interiors-1

ermes ponti leather paneling

One more, the closeness between the design stage and the production stage enables some creative sparks like this. Do you like it?

It’s a tattoo on wood, we called it Wood Tattoo and it’s a creation as part of a “business” work, the interior design is our brand for a retail fashion industry.

It’s an oak wood on which it’s apllied an adhesive before being finally treated with a pickeld effect.

So, when we say “end to end process”, it’s not theory, but daily practice! Even better, it’s the Ponti method.

Tatuaggio su legno, by ermes ponti

lavoro artigiano by ermes ponti: tatuaggio su legno